“View from Mama Margie’s Mexican Restaurant” Four page spread in small Japanese album Moleskine. Drawn from life. Pen and Ink-00 Rapidograph. Drawn while my friends were singing karaoke.
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2011May 80tags: cityscape | gas station | Japanese Album | live drawing | pen and ink
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2011Feb 26tags: baby | cone | pen and ink | portrait | snow | Treats | watercolorPen and ink and Daniel Smith watercolor sticks, in large watercolor Moleskine. My friend’s baby’s first snow cone, from my own reference photo.
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2010Oct 22tags: ink | observation | poetry | watercolorA live drawing completed at a spoken word poetry competition. A study for a commissioned work. Daniel Smith watercolor sticks and Pitt artist’s brush pen in a large watercolor Moleskine.
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2009Dec 14tags: ballpoint pen | cityscape | night | Skyscrapers“City Lights” Ballpoint pen in small Moleskine sketchbook. Reference photo courtesy of wetcanvas.com.
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2009Dec 10tags: face | figure | ink | line | rapidograph | ripples | river | stippling | water | white acrylic paint“Dissoultion”-2nd half of double page spread. 00 Rapidograph, Dr. Ph. Martin’s Bombay India Ink. White Acrylic Paint.
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2009Dec 9tags: acrylic paint | color | ink | rapidograph | river | tree | white“Dissolution”
Second piece and first half of a double page spread in my Exile, large watercolor Moleskine. 00 Rapidograph, Dr. Ph. Martin’s Bombay India Ink, White Acrylic Paint.
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2009Nov 24tags: color | face | hatching | india ink | man | oak tree | stipplingVersailles Building, New Orleans.
My first post on here, and also the first page of my themed watercolor Moleskine, Exile: New Atlantis. This work will focus on the concept of exile from a personal, metaphorical, and narrative perspective. It will also draw from my experience as a New Orleanian in exile, post-hurricane Katrina, and the broader experience of being an outsider. This image-00 Rapidograph, Dr. Ph. Martin’s Bombay India Ink. The man in the rearview mirror is the face of an Art S. Buck anatomical model. The rest of the image is from my own photo reference.























